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Thus we find that one of his strongest objections to the Jewish and Christian cosmogony and theology, from creation to the ascension of Christ, is the position of inferiority and degradation to which woman is therein assigned. Jehovah's attempt to induce Adam to select "an helpmeet for him" from among the "cattle," "the fowl of the air," and the "beasts of the field"; the failure of Adam so to select a companion, and the consequent creation of woman from one of his ribs, thus placing her on a plane somewhat higher than that of the beast, but lower than that of man; the attributing of all the sins of the world to the first woman, through her tempting of Adam to fall; the curse which Jehovah placed upon maternity; her degradation by sanctioning polygamy, concubinage, and slavery; the failure of Christ to recognize her equality with man; her calumniation and stigmatization by the early Christian "fathers" -- all this (and much more) gave bitter and unpardonable offense to Ingersoll's sense of justice and of the sacredness of womanhood. Indeed, it would have required only the teachings of the Bible, and the attitude of the church, in reference to woman, to make Ingersoll an implacable enemy of the Christian religion.
And, putting entirely aside, for the present, his purely anti- theological propaganda, what a knight-like gallant he was; How he did shiver with his intellectual lance the battle-axes and bludgeons which the savagery, selfishness, and cant of "the stronger sex" had raised above the head of women! We should search in vain this wondrously flexible language of ours for a word of love, adoration, liberation, vindication, or defense that he did not use in her behalf. He was her champion from the first. While the wise judges of the law were denying Susan B. Anthony the right of trial by jury for the crime of having voted, Ingersoll was declaring: "Woman has all the rights I have, and one more, and that is the right to be protected, because she is the weaker." He insisted, that woman is better than man, that she has greater burdens and responsibilities, and that it is for that reason that her faults are considered greater. He contended, that woman is not the intellectual inferior, but, potentially at least, the intellectual equal, of man, and, moreover, that the men who assert the contrary "cannot, by offering themselves in evidence, substantiate their declaration." He believed that she would become man's successful rival in every department of artistic and intellectual endeavor. She had already achieved many triumphs in law, medicine, art, sculpture, and literature, and of the latter had raised the moral standard. He would give to her, as to man, all the education that she is capable of receiving. In other words, he would open wide to her the only gateway that leads to absolute moral and intellectual freedom. "The parasite of woman is the priest," he said; therefore, he would educate her out of the orthodox church. "There will never be a generation of great men," he declared, "until there has been a generation of free women -- of free mothers." He failed to discern either justice or reason in giving to the brutal and ignorant negro (or to the brutal and ignorant white man) the right to vote, while denying it to the refined, educated, and intellectual mother; and so he would extend to woman, not the "privilege" of, but her inalienable moral and political right to, a voice in the affairs of town and city, state and nation. In short, to woman, as to man, he would apply the Ingersollian Golden Rule: --
"Give
to every other human being every right that you claim
for yourself."
"I not only admire woman as the most beautiful object ever
created, but I reverence her as the redeeming glory of humanity,
the sanctuary of all the virtues, the pledge of all perfect
qualities of heart and head."
"The
man who has really won the love of one good woman in this
world, I do not care if he dies in the ditch a beggar, his life has
been a success."
"Love
is the only bow on life's dark cloud. It is the morning
and the evening star. It shines upon the babe' and sheds its
radiance on the quiet tomb. It is the mother of art, inspirer of
poet, patriot and philosopher. It is the air and light of every
heart -- builder of every home, kindlier of every fire on every
hearth. It was the first to dream of immortality. It fills the
world with melody -- for music is the voice of love. Love is the
magician, the enchanter, that changes worthless things to joy, and
makes right royal kings and queens of common clay. It is the
perfume of that wondrous flower, the heart, and without that sacred
passion, that divine swoon, we are less than beasts; but with it,
earth is heaven, and we are gods."
With such hatred of polygamy, is it any surprise, by the way, that he regarded the following, from Shakespeare: -- (Sonnet CXVI) as "the greatest line in the poetry of the world" --
"Love
is not love
And after his characterization of celibacy, as above, can we
wonder that the advocates of that doctrine fare at his hands no
better than this? --
Which alters when it alternation finds."
"I believe in marriage, and I hold in utter contempt the
opinions of those long-haired men and short haired women who
denounce the institution of marriage."
"Back
of all churches is human affection. Back of all
theologies is the love of the human heart. Back of all your priests
and creeds is the adoration of one woman by the one man, and of the
one man by the one woman. Back of your faith is the fireside; back
of your folly is the family; and back of all your holy mistakes and
your sacred absurdities is the love of husband and wife, of parent
and child."
"Love
is a transfiguration. It ennobles, purifies and
glorifies. In true marriage two hearts burst into flower. Two lives
unite. They melt in music. Every moment is a melody. Love is a
revelation, a creation. From love the world borrows its beauty and
the heavens their glory. Justice, self-denial, charity and pity are
the children of love. * * * Without love all glory fades, the
noble falls from life, art dies, music loses meaning and becomes
mere motions of the air, and virtue ceases to exist."
"Civilization rests upon the family. The good family is the
unit of good government. The virtues grow about the holy hearth of
home -- they cluster, bloom, and shed their perfume round the
fireside where the one man loves the one woman. Lover -- husband --
wife -- mother -- father -- child -- home! -- without these sacred
words, the world is but a lair, and men and women merely beasts."
"I believe in the religion of the family. I believe that the
roof-tree is sacred, from the smallest fiber that feels the soft
cool clasp of earth, to the topmost flower that spreads its bosom
to the sun, and like a spendthrift gives its perfume to the air.
The home where virtue dwells with love is like a lily with a heart
of fire -- the fairest flower in the world."
"Let me tell you * * * it is far more important to build a
home
than to erect a church. The holiest temple beneath the stars
is a
home
that
love has built. And the holiest altar in all the
wide world is the fireside around which gather father and mother
and the sweet babes."
"If upon this earth we ever have a glimpse of heaven, it is when we pass a home in winter, at night, and through the windows, the curtains drawn aside, we see the family about the pleasant hearth; the old lady knitting; the cat playing with the yarn; the children wishing they had as many dolls or dollars or knives or somethings, as there are sparks going out to join the roaring blast; the father reading and smoking, and the clouds rising like incense from the altar of domestic joy. I never passed such a house without feeling that I had received a benediction." And no one with heart and brain ever read such a passage without feeling the same way.
But, as we should naturally suppose, Ingersoll's philosophy offered something more than even the preceding incomparably beautiful and inspiring ideas of love and marriage, of family and home. His "religion of the family," his "gospel of the fireside," did not end with a glimpse of the loved and loving father, mother, and babes "about the pleasant hearth" -- did not conclude with the "benediction" which we have just received. The philosophy that placed all human life on the firm basis of happiness as "the only good" did not content itself with pictures, which, even though momentarily real, might be, after all, as purely temporal, as transient, as they were beautiful. Far from it, that philosophy would make those pictures the idealistic reflections of enduring realities. Indeed, it was with the "benediction," that Ingersoll's domestic evangelization really commenced.
I have stated that Ingersoll was not only the "Liberator of Man," but the "Liberator of Man, Woman, and Child." Having accordingly shown, as fully as is here practicable, that he was woman's liberator outside the family circle, it is my next pleasure to show that he was her liberator within that circle, -- the liberator of the wife and mother.
"But from what," will perhaps he asked, "did he liberate her?" He liberated her from the idea that there must be a "head of the family" -- a "boss." He liberated her from the heartless time- sanctified doctrine of the divine rights of domestic kings -- from the tyrant of the fireside -- the Jehovah of the hearth. He demolished the latter's petty throne, and on its ruins made "a happy fireside clime to weans and wife." He commanded the husband to be a gentleman; bade the wife arise, Minerva-like, from her swollen knees; and he wrote, in glowing gold, on the somber walls of millions of orthodox homes: "Liberty, Equality, and Love." If this alone had been his earthly task, paeans of praise should rise to his memory from every hearth in Christendom.
Any idea that savored of tyranny filled his liberty-loving, justice-loving soul with indignation and repugnance. To him, tyranny in one place was the same as tyranny in another. In this, he was absolutely and fundamentally consistent. "The Universe," he declared, "ought to be a pure democracy -- an infinite republic without a tyrant and without a chain." Because he believed in liberty and justice, he rejected the tyrant of heaven; and because he rejected the latter, he rejected the tyrants of earth, including the tyrant in the home. Completely and perfectly civilized, he was as consistent in rejecting tyranny in all three places as the savage is in accepting it in all three. The average civilized man -- the average American, say -- is inconsistent here: lie differs from Ingersoll about as much as he differs from the savage. He believes in tyranny in heaven, democracy in The White House, and tyranny in the home. Ingersoll believed in democracy everywhere.
And in his domestic philosophy, "democracy" has much more than its usual significance. For the Ingersollian ideal of home excludes not only the time-honored notion of the domestic tyrant, -- "the head of the family," the "boss," -- but all idea of duty and obligation as well. While the ideal democracy exists by virtue of a government which derives its powers from the consent of the governed, and which, therefore, it is the common obligation and duty of those concerned to support and obey, the Ingersollian home exists solely in the mutual adoration of husband and wife, -- the common affection of parents and child: --
"In love's fair realm husband and wife are king and queen,
sceptred and crowned alike and seated on the self-same throne."
"The highest ideal of a family is where all are equal -- where love has superseded authority -- where each seeks the good of all, and where none obey * * *. The ideal democracy is government by consent: the Ingersollian home is the anarchy of love. In the latter, the husband loves the wife, "not only for his own sake, but for her sake. He longs to make her happy -- to fill her life with joy." And it is upon this basis that the great liberator proffers the following advice: --
"Whoever marries simply for himself will make a mistake; but whoever loves a woman so well that he says, 'I will make her happy,' makes no mistake. And so with the woman who says, 'I will make him happy.' There is only one way to be happy, and that is to make somebody else so, -- he adds, in that familiar straight-out Ingersollian style, which unmistakably means that there is a man behind it all --
"you cannot be happy by going 'cross lots; you have got to go
the regular turnpike road."
Of the former, he inquires, in a tone which itself elicits a melancholy negation: --
"What right has he to murder the sunshine of the day? What
right
has he
to assassinate the joy of life?"
"When you go home you ought to go like a ray of light -- so
that it will, even in the night, burst out the doors and windows
and illuminate the darkness."
"Do you know that I have known men who would trust their wives
with their hearts and their honor but not with their pocketbooks;
not with a dollar. When I see a man of that kind, I always think he
knows which of these articles is the most valuable. Think of making
your
wife a beggar! Think of her having to ask you every day for a
dollar, or for two dollars and fifty cents! 'What did you do with
that dollar I gave you last week?' Think of having a wife that is
afraid
of you! What kind of children do you expect to have with a
beggar and a coward for their mother? Oh, I tell you if you have
but a dollar in the world, and you have got to spend it, spend it
like a king; spent it as though it were a dry leaf and you the
owner of unbounded forests! That's the way to spend it! I had
rather
be a beggar and spend my last dollar like a king, than a
king and spend my money like a beggar! If it has got to go, let it
go!"
"I tell you * * * there is more love in the homes of the poor
than in the palaces of the rich. The meanest hut with love in it is
a palace fit for the gods, and a palace without love is a den only
fit for wild beasts. That is my doctrine! You cannot be so poor
that you cannot help somebody. Good nature is the cheapest
commodity in the world; and love is the only thing that will pay
ten per cent. to the borrower and lender both. Do not tell me that
you have got to be rich!" "No matter whether you are rich or poor,
treat your wife as though she were a splendid flower, and she will
fill
your
life
with perfume and with joy."
Nor does the proceeding, amply as it would seem to establish Ingersoll's preeminence as champion of the fireside, afford the most significant evidence of the superlative importance which, in his philosophy, he assigns to family and home. Many passages uttered or written in connection with subjects widely divergent from the latter, and from one another, afford even more significant evidence. They are found, here and there, throughout all his productions. Indeed, the more comprehensively and critically we examine his work, and the longer we contemplate his life, the more certain does it become that the hearth-fire is the sun around which all the planets of his system revolve. Whether we read his lay utterances, his legal and political addresses, his anti-theological lectures and discussions, his tributes to departed worth, his poetry -- whatever of his we read -- we find the same precious element: the hearth-fire lights the page! In economics, in politics, in religion, the roof-tree is the standard by which all else is measured -- the criterion for acceptance or rejection. Thus he objects alike to socialism, slavery, polygamy, and "free love" because they divide the family or destroy the home. Similarly, he objects to the Christian doctrine of immortality because it offers, ostensibly through the lips of Christ, "everlasting life" to "everyone that hath forsaken * * * father, or mother, or wife, or children * * *" in this life, and because it divides the family in the life which it promises. "I will never desert the one I love for the promise of any god," he declares. He opposes Sabbatarianism because the "poor mechanic, working all the week, * * * needs a day * * * to live with wife and child * * *. And his weary wife needs a breath of sunny air, away from street and wall, amid the hills, or by the margin of the sea, where she can sit and prattle with her babe and fill with happy dreams the long, glad day." "Maternity," he says, "is the most pathetic fact in the universe" -- mother and wife the holiest words in every tongue. "It is far more important to love your wife than to love God", he insists; and he makes of the ideal husband a worshiper in the noblest sense: "To build a home, to keep a fire on the sacred hearth, to fill with joy the heart of her who rocks the cradle of your child. This is worship." After saying, in his tribute to Mills, that "wife and children pressed their kisses on his lips," he adds: "This is enough. The longest life contains no more. This fills the vase of joy."
Of such expressions, there is in Ingersoll no end; but it is perhaps in that greatest of war-paintings, A vision of War, that his domestic love and sympathy rise to the loftiest heights, or rather, sink to the most touching depths: for it is pathos which is there achieved. It is there, at the sound "of heroic bugles," that "some are parting with mothers who hold them and press them to their hearts again and again, and say nothing." It is there that departing patriots "are bending over cradles, kissing babes that are asleep." It is there that others "are talking with wives, and endeavoring with brave words, spoken in the old tones, to drive from their hearts the awful fear." It is there that the wife is "standing in the door with the babe in her arms -- standing in the sunlight sobbing. At the turn of the road a hand waves -- she answers by holding high in her loving arms the child. He is gone, and forever." This is dramatic, tragic -- the perfection of pathos! And it was, I repeat, Ingersoll's profound domestic love and sympathy, blending with the graceful flame of his genius, that created it -- one of the greatest qualities of the greatest poetry.
But of all the precious words that he wrought from feelings of ruby and thoughts of gold, those most clearly disclosing his sense of the utter vanity and insignificance of all else in comparison with the home are yet to follow. It will be recalled by the reader of Chapter 4, that, while Ingersoll was unable (when in Paris in 1875) to locate, through the superintendent of Pere Lachaise, the final resting-place of Auguste Comte, he did locate "the grave of the old Napoleon." It was during his contemplation by that "magnificent tomb of gilt and gold"; it was while he "gazed upon the sarcophagus of rare and nameless marble" -- while he "leaned over the balustrade and thought about the career of the greatest soldier of the modern world," from "the banks of the Seine "to Saint Helena, that he was moved to utter, in the now world-famous "Soliloquy," words which disclosed in their author as great a genius for domestic love and human sympathy as Napoleon had possessed for murder: --
"I thought of the orphans and widows he had made -- of the
tears that had been shed for his glory, and of the only woman who
ever loved him. pushed from his heart by the cold hand of ambition.
And I said, I would rather have been a French peasant and worn
wooden shoes. I would rather have lived in a hut with a vine
growing over the door, and the grapes growing purple in the amorous
kisses
of the autumn sun. I would rather have been that peasant,
with my loving wife by my side, knitting as the day died out of the
sky -- with my children upon my knees and their arms about me -- I
would rather have been that man, and gone down to the tongueless
silence of the dreamless dust, than to have been that imperial
impersonation of force and murder, known as Napoleon the Great."
And not only did Ingersoll place domestic love above all else; not only would he evangelize the world with his "gospel of the fireside"; he would soothe mankind with the beautiful thought that love is eternal. Those who recall that the Great Agnostic traced the hope of a future life to human love in the present, -- to "a flower that grows on the edge of the grave," -- will not wonder at this -- at the following wishful vision of immortal love on earth:
"And do you know, it is a splendid thing to think that the
woman
you really love will never grow old to you. Through the
wrinkles of time, through the mask of years, if you really love
her, you will always see the face you loved and won. And a woman
who really loves a man does not see that he grows old; he is not
decrepit to her; he does not tremble; he is not old; she always
sees the same gallant gentleman who won her hand and heart. I like
to think that love is eternal. And to love in that way and then go
down the hill of life together, and as you go down, hear, perhaps,
the laughter of grandchildren, while the birds of joy and love sing
once
more in the leafless branches of the tree of age."
"John Anderson, my jo. John,
"John Anderson, my jo John
And
just as these two utterances are inseparably united in our
hearts and memories, not because of any resemblance in literary
form,
but because of the affection and fidelity which permeate
both, -- which are the origin of both, -- so with many other
utterances of the same authors. And so with the authors themselves.
Indeed, to the worshiper at the shrine of humanitarian genius, not
only the qualities mentioned, but the tenderness and the ardent
love of liberty and justice which they alike manifested, have long
since transformed the names of Robert Burns and Robert Ingersoll
into perfect synonyms for each other.
When we were first acquent,
Your locks were like the raven,
Your bonnie brow was brent;
But now your brow is beld, John.
Your locks are like the snow;
But blessings on your frosty pow,
John Anderson, my jo.
We
clamb
the hill thegither;
And monie a canty day, John,
We,ve had wi' ane anither:
Now we maun totter down, John,
But
hand in hand we'll go,
And sleep thegither at the foot,
John Anderson, my jo."
[From Robert Burns]
It was said by Ingersoll, that "men are oaks, women are vines, children are flowers." We have admiringly beheld the "oaks" and the "vines," more especially the latter, and have heard his teachings concerning their proper climate and environment. Let us enjoy with him, in our next chapter, the perfume of the "flowers."
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